ReviewsHAMPTONS CRITIC’S VIEW: Three to See in The Hamptons – January 2020 by Pat Rogers January 2020 is a surprisingly vibrant one for art exhibitions in The Hamptons. Many galleries have opened new curated shows this...
Art ReviewsNEW YORK CITY ART REVIEW: Encouraging Dialogue through a Pair of Solo Shows at The Painting Center by Peter Malone “Claire McConaughy: Not So Far Away,” the larger of two exhibitions currently at The Painting Center, confirms Claire...
ReviewsHAMPTONS ART REVIEW: Color-Infused Atmospheres a Signature of Frankenthaler’s Paintings from Provincetown by Franklin Hill Perrell "Abstract Climates: Helen Frankenthaler in Provincetown" at the Parrish Art Museum explores the impact of Provincetown and its context...
ReviewsNEW YORK CITY ART REVIEW: A Labyrinth of Memory Connects Paintings by Deborah Zlotsky with de Kooning by Peter Malone Deborah Zlotsky chose to title her current painting exhibition “Now and Later,” a phrase that implies rationing, perhaps a...
ReviewsPaintingHAMPTONS ART REVIEW: Susan Vecsey Extends Color Field Tradition Through Paintings of Understated Complexity at Quogue Gallery by Franklin Hill Perrell Approaching the Quogue Gallery, I was immediately drawn in by Susan Vecsey's painting, visible through the side entrance along Jessup...
ReviewsPaintingWestchester ART REVIEW: “Edward Burke: Colorless and Odorless” Offers Alternative to a Splintered Art World by Peter Malone With yet another gallery neighborhood developing in Tribeca, keeping abreast of New York City’s balkanized exhibition districts adds...
ReviewsHAMPTONS ART REVIEW: Rediscovering AB-EX Artist Joseph Glasco in Rapport with Pollock, Schnabel & Ossorio by Franklin Hill Perrell “Joseph Glasco: East End Echoes,” at the Pollock-Krasner House and Study Center in Springs, East Hampton, NY, is part of an...
ReviewsNEW YORK CITY ART REVIEW: Nicolas Carone’s Late Abstractions Give Clues to “What Matters” by Peter Malone “What Matters: The Late Paintings,” a selection of Nicolas Carone’s abstractions at Loretta Howard Gallery through August 1,...
ReviewsHAMPTONS ART REVIEW: Bob Paul Kane’s Painted Paradise by Franklin Hill Perrell The exhibition of Bob Paul Kane's (1937-2013) paintings, watercolors and collages from the 1960s to the 2000s, is a gem of a show in a...
ReviewsNEW YORK CITY ART REVIEW: The Pure Vision of Frank Wimberley by Franklin Hill Perrell From the moment I walked into the solo show "Frank Wimberley" at Berry Campbell in Chelsea, I became thoroughly engaged with...
ReviewsNEW YORK CITY ART REVIEW: “Cut-Ups” by Jack Youngerman Shine at Washburn Gallery by Franklin Hill Perrell When I heard about "Cut-Ups" at Washburn Gallery in New York City, I was intrigued by the idea of an exhibition of new work by Jack...
ReviewsNEW YORK CITY ART REVIEW: Frank Lind Paintings Mine Emotional Promise of Where Sea Meets Shore by Peter Malone In keeping with the season’s breach of the indoor/outdoor threshold, the Kingsborough Art Museum (KAM) situated on the eastern tip...
ReviewsNEW YORK CITY ART REVIEW: Robert Motherwell’s Grand Statements at Kasmin by Franklin Hill Perrell The youngest of Abstract Expressionism’s core artists, Robert Motherwell (1915-1991) brought to the movement his personal...
ReviewsNEW YORK CITY ART REVIEW: “Adolph Gottlieb: Classic Paintings” at Pace Offer “Burst” Paintings in their Glory by Franklin Hill Perrell For anyone who is captivated by Adolph Gottlieb's "Burst" paintings, "Adolph Gottlieb: Classic Paintings" affords the opportunity to...
ReviewsNEW YORK CITY ART REVIEW: Dodd and Bigbee Make Passionate Arguments for Painting’s Vitality by Peter Malone For a second time, Alexandre Gallery in midtown Manhattan has chosen to mount a dual exhibition of painters Lois Dodd and Brett...
ReviewsPaintingNEW YORK CITY ART REVIEW: Eric Aho Paintings at DC Moore Meditate on the Idea of a Forest by Peter Malone “Eric Aho: Guide” at DC Moore in New York consists of about a dozen canvases invested with painterly meditations on the idea of a...
ReviewsNEW YORK CITY ART REVIEW: From Delacroix, Elegance in the Eye of the Romantic Tempest by Charles A. Riley II “I want a hero: an uncommon want,/When every year and month sends forth a new one.” These opening lines of Lord Byron’s epic...
ReviewsNORTH FORK ART REVIEW: Offbeat “Cheese Ball Challenge” in Southold Makes Art Lovers Smile, and Think by Charles A. Riley II As a museum director and itinerant art critic, I hit openings all too often. The old joke about Andy Warhol being ready to go to any...