Abstract

"Untitled" by Lisa di Liberto, 1980. Collage, 5 x 7 inches.

“My creative method begins with the experience of an interaction with my surroundings that generates the ideas that are the start of my process,” says Lisa di Liberto. “I work in a variety of media and within

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"3 Blue" by Joyce Pommer, 2019. Mixed media on canvas, 9 x 8 inches. Courtesy of the artist.

My paintings evolve out of my subconscious in a free flowing intuitive process – I do not start with a preconceived idea or plan – the art is my reflection.  The work I create makes people feel

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"Buy" by Janet Culbertson.

An Environmental and Feminist artist for over 50 years, I paint Earth’s diverse creatures and landscapes, exploring their beauty and demise through abstract and realist techniques and textures. Growing up in rural Pennsylvania I spent hours canoeing

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“Lily Pond” by Kurt Giehl, 2018. Oil on canvas, 48 x 48 inches. Courtesy of the artist.

Kurt Giehl is an artist residing in East Hampton, New York. Giehl is a painter using a combination of oil and acrylics. After a successful 23 years on Wall Street, Giehl decided to leave his financial career

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"Fusion 41" by Caroline Kaplowitz, 2018. Gouache, pastel & watercolor on paper, 16 x 12 inches.

I use the formal elements in my current work to explore the emerging and receding interplay between abstract and figurative art. I combine painting techniques in order to adjust my experience of immediacy (or distance) from the

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“Cai II” by Robert Oxnam. Weathered wood, naturally embedded rocks, organic milk paint and waxes, 14 x 14 x 13 inches. Courtesy of the artist.

“My art is inspired by several Chinese philosophies (especially Daoism) and by taking ancient Chinese aesthetics and applying them to several media.  I share Chinese preferences for certain tactile qualities – slightly off-balanced, unusual shapes, deep indentations,

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"Park Avenue Canyons" by Francine Tint, 12.10.18. Acrylic on canvas, 54 x 72 inches. Courtesy of the artist.

Francine Tint’s paintings are the result of a process of disclosure, drawn from her own life events, dreams, and readings. Influenced by the movements of color field and action painting, and painters such as Helen Frankenthaler and

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"Rhapsody No. 3 - All That Jazz" by Karen L. Kirshner. © Karen L. Kirshner.

Critics have said Karen’s art is original, complex, exciting and beautiful.She does not accept the status quo. Even though she has complete control over her technique, she keeps challenging herself with new possibilities. “If you seek power

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Like many other artists I fell in love with the East End of Long Island, its extraordinary light, the ocean and its wide pristine beaches and the clean air, the quaint and lazy shorelines of Shelter Island.

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Born and raised in India, Leila Pinto’s artistic sense reflects the diversity and richness of that country gleaned from her travels throughout both the East and West. Leila moved to New York City to pursue a Master’s

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Every paintbrush holds a story and yet what makes this paintbrush distinctive is that it speaks to our age as distinct from any other – as witness to a medium that is shaping all our lives and

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The East Hampton studio of painter and printmaker Elizabeth Delson (1932-2005) which has been in the Lion Head Beach section of Springs since 1999 and before that in Park Slope, Brooklyn for more than forty years, is

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Jerry Schwabe paints for “the eyes and the soul.” His soft muted colors, found in many of his beach scenes, reflect a sense of calmness and serenity. Contrastingly, some of his new paintings are full of vibrant

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