ART REVIEW: Toni Ross Melds Stone and Straw in “Permanent Transience”
In the current Parrish Road Show exhibition, “Toni Ross: Permanent Transience,” at Marders in Bridgehampton, Toni Ross continues...
Posts by Eric Ernst
ART REVIEW: Minimalism Exhibit Reveals What the Lack of Fuss Was About
When Minimalism came to the fore in the 1960s, it was seen by its adherents as a logical reaction to what were then perceived as the...
ART REVIEW: How Bleckner, Fischl and Salle Gave New Life to Painting
The current “Unfinished Business” exhibition at the Parrish Art Museum in Water Mill features three iconographic figures of recent...
ART REVIEW: Bastienne Schmidt Installation Probes Mysteries of Identity and Time
As both a painter and photographer, Bastienne Schmidt has always been fascinated by and focused on the ideas of identity and place as...
ART REVIEW: Regional Artists Show Strengths in “East End Collected2”
When Southampton’s Parrish Art Museum decamped to the sprawling, stylized concrete potato barn in Water Mill it now calls home, the...
ART REVIEW: “Radical Seafaring” Reaches beyond Traditional Aesthetics
“Radical Seafaring” at the Parrish Art Museum in Water Mill offers a cogent illustration that challenging and thought provoking...
ART REVIEW: Portraits Express the Historical in Painterly Narratives
In “Barbed Wire and Picket Fences,” the current exhibition at RJD Gallery in Sag Harbor, the two artists presented each offer...
ART REVIEW: Steve Miller Works Fulfill Promise of Applying Science to Art
Viewing Steve Miller’s recent works at Sara Nightingale Gallery in Water Mill, it is difficult not to be reminded of the ongoing...
ART REVIEW: Brian Gaman Prints Occupy Space between Images and Objects
In the sculptures and photographic pigment prints of the late Brian Gaman currently on display at the Parrish Art Museum, the artist...
ART REVIEW: Powerful Winter Salon at Drawing Room
Perhaps the most pleasantly surprising aspect of the second annual “Winter Salon” exhibition at the Drawing Room in East Hampton...
ART REVIEW: David Slater’s Orderly Chaos Reveals Meanings through Mysteries
Elementally, David Slater’s artwork has always revolved around the premise of narrative as an integral component in the painterly...
ART REVIEW: Tripoli Gallery’s “Collective” Show in Three Venues
While normally around this time of year the art scene on the East End begins its seasonal descent into realms of torpor, the Tripoli...
ART REVIEW: Differing Pop Art Perspectives for Dash and Gillmore at Borghi
Even as works by both Tom Dash and Graham Gillmore at Mark Borghi Fine Art in Bridgehampton could be seen as channeling the impulses...
ART REVIEW: “A Sense of Place” and Cornelia Foss at Guild Hall Museum
For artists, as the painter Gerald Brommer once noted, “the environment becomes inspiration.”
This theme echoes throughout two...
Joy of Color in Christensen Paintings at Berry Campbell
In the retrospective of Dan Christensen’s work currently on display at the Berry Campbell gallery in New York, the viewer is...
ART REVIEW: “Techspressionism” Reflects Impact of Japanese Aesthetics
The impact of late 19th century Japanese aesthetics on western art in general and the Impressionists in particular has been well...
ART REVIEW: At Kathryn Markel, a Window into Abstraction & Non-Figurative Approaches
The current "Group Show" at Kathryn Markel Fine Arts in Bridgehampton offers a look at multi-faceted approaches to abstraction and...
ART REVIEW: Variety in Abstraction Presented in “4 Perspectives”
When the Parrish Art Museum moved to Water Mill from the location on Jobs Lane in Southampton that it had occupied since 1897, it was...